In this thought-provoking interview, Ayan Farah and Asmaa Jama, the artists representing Somalia at the 61st Venice Biennale, offer a captivating glimpse into their creative process and the cultural significance of their work. Their exhibition, set in the Palazzo Caboto, showcases a unique blend of traditional and contemporary art forms, reflecting the rich history and diverse landscapes of Somalia.
Farah's installation features large-scale, embroidered landscape paintings, using Somali clay and sea shell pigments, symbolizing the passage of time and the environment. Jama's work, on the other hand, delves into 'saddexleey', a poetic form of threes, exploring poetry as a living cultural expression. Their practices are deeply rooted in storytelling, drawing inspiration from art, literature, cinema, and archival histories.
Both artists emphasize the importance of the Venice Biennale as a platform for artistic expression and cultural exchange. Farah highlights the Biennale's role in bringing together diverse geographies and practices, fostering critical dialogue and narrative shifts. Jama, a poet at heart, resonates with the Biennale's theme of 'In Minor Keys', emphasizing the hidden and the underneath, drawing from her background in poetry and magical realism.
The interview also delves into the artists' perspectives on national identity and the role of the national pavilion. Farah argues that the pavilion can challenge ideas of separation, highlighting the entanglement of histories and materials across borders. Jama, with her diverse cultural background, emphasizes the expression of commonality and the expanded understanding of the nation, drawing from her experiences in Denmark, Britain, and Somalia.
The artists also share their thoughts on the importance of art in changing the world. Farah believes that art can create a platform for reflection and dialogue, leading to positive change. Jama, inspired by Wendell B. Harris Jr. and the tradition of magical realism, emphasizes the power of art to speak the truth, inspire, and move people, ultimately influencing societal transformation.
As the 61st Venice Biennale approaches, the artists' enthusiasm for the event is palpable. Farah looks forward to exploring the city's charm, while Jama expresses a desire to immerse herself in Venetian culture, from masquerade masks to the island of Murano. Their working days are a blend of studio time, dance classes, and creative exploration, showcasing their dedication to their craft.
This interview provides a fascinating insight into the artists' creative journeys and their unique perspectives on art, culture, and national identity. As they prepare for the Venice Biennale, their work promises to captivate and inspire, offering a window into the rich tapestry of Somali culture and its global connections.
